THE STORY
THE CONTEXT
The civil war in South Sudan has displaced more than two million people. Many of those forced to leave their homes walked for days or weeks carrying embroidered sheets decorated with swirls of flowers, trees, and animals, known as milayas. Before the war these milayas were used for dowries and celebrations, but now, after years of violence, they held the refugees’ last possessions. Today, in Bidibidi, the second largest refugee camp in the world, women continue to sew milaya. They’re hung at church on Sundays, and decorate funerals and weddings.
THE DESIGN
This runner was created by four women: Joice Waran, Mary Amina, Charity Gaba and Harret Ash. We asked them to reinterpret the traditional milaya and take us on a journey through work, rest, play and dream, illustrating what each theme means to them in their colourful and unique embroidered designs onto a natural ecru linen base. This piece can be used to dress up a table, bed or wall.
THE IMPACT
These pieces are made in collaboration with The Milaya Project, a non-profit that connects South Sudanese refugees with customers who want to support the traditional art form of milayas, a hand-embroidered bedsheet. It’s a volunteer-run organization with all profits reinvested in scaling-up the project and supporting the women working with it. The project operates in Bidibidi refugee camp, and collaborates with a women’s collective that involves between 50 to 100 women embroidering milayas.
